PRESS
" A Midsummer Night's Dream" -Shakespeare in the Square, New York City
"...a driving force for the physical comedy and chaos of the piece. Ms. Miller's Puck is nasty and delightful, her Snug incredibly endearing, and her Theseus brings a special grounding to the world of Athens and the "reality" of the play." - Danny Cassou, Stage Buddy
"...simply put, awesome!" -Kirsten Morale, Broadway World
"...a driving force for the physical comedy and chaos of the piece. Ms. Miller's Puck is nasty and delightful, her Snug incredibly endearing, and her Theseus brings a special grounding to the world of Athens and the "reality" of the play." - Danny Cassou, Stage Buddy
"...simply put, awesome!" -Kirsten Morale, Broadway World
"The White Stag Quadrilogy" -Dixon Place, New York City
"Ms. Miller has the funniest, most closely observed moments in the show." - Andy Webster, The New York Times
"The show-stealer in this work is clearly Pearl – not in small part due to Miller’s adept comedic austerity – whose heretofore steadfast commitment to these absurd proceedings remains oblique until the second act...The White Stag Quadrilogy becomes, in her hands, a more meaningful allegory for the relationship of man to nature." - Amy Surratt, The Reviews Hub
"Comedic timing is the linchpin of the show, from the opening moment where a frustrated and supremely blasé Rebeca Miller as Pearl Slanton Wolfert trails in a banner of golden tinsel and laboriously tacks it to the wall." - Amelia Parenteau, Culture Bot
"The White Stag Quadrilogy is a gritty, retro throwback which drips with originality. Highlighted by the brutal and demanding performances by its two lead actors, this tale of outright rebellion, love, and passion is intentionally confounding, but almost unceasingly entertaining." -Ryan Mikita, TheatreScene.net
"Ms. Miller has the funniest, most closely observed moments in the show." - Andy Webster, The New York Times
"The show-stealer in this work is clearly Pearl – not in small part due to Miller’s adept comedic austerity – whose heretofore steadfast commitment to these absurd proceedings remains oblique until the second act...The White Stag Quadrilogy becomes, in her hands, a more meaningful allegory for the relationship of man to nature." - Amy Surratt, The Reviews Hub
"Comedic timing is the linchpin of the show, from the opening moment where a frustrated and supremely blasé Rebeca Miller as Pearl Slanton Wolfert trails in a banner of golden tinsel and laboriously tacks it to the wall." - Amelia Parenteau, Culture Bot
"The White Stag Quadrilogy is a gritty, retro throwback which drips with originality. Highlighted by the brutal and demanding performances by its two lead actors, this tale of outright rebellion, love, and passion is intentionally confounding, but almost unceasingly entertaining." -Ryan Mikita, TheatreScene.net
"Hamlet 10" -New York Shakespeare Exchange, New York City
"...while strong performances from the entire cast -- in particular Rebeca Miller as Ophelia -- will convince you that yes, even 450 years later, there are new ways to do Shakespeare." -Leah Taylor, Flavorpill
"...Miller’s standout Ophelia, who descended into a wrenchingly quiet madness." - Seth Simons, Exeunt Magazine
"Rebeca Miller’s work as Ophelia I have already said kind words about, but there’s no harm in adding a few more just here: she’s rather good." - Thomas Burns Scully, On Stage Blog
"...while strong performances from the entire cast -- in particular Rebeca Miller as Ophelia -- will convince you that yes, even 450 years later, there are new ways to do Shakespeare." -Leah Taylor, Flavorpill
"...Miller’s standout Ophelia, who descended into a wrenchingly quiet madness." - Seth Simons, Exeunt Magazine
"Rebeca Miller’s work as Ophelia I have already said kind words about, but there’s no harm in adding a few more just here: she’s rather good." - Thomas Burns Scully, On Stage Blog
"The God of Isaac" -Florida Studio Theatre, Sarasota
"Rebeca Miller delivers the strongest performance of all the supporting roles, as Isaac's longtime friend and sometimes girlfriend." -Marty Clear, Bradenton Herald
"The cast, under the direction of Kate Alexander, works with the right balance of comedy and seriousness... Miller is touching as Chaya, lost in an unhappy marriage..." -Kay Kipling, Sarasota Magazine
"Rebeca Miller periodically pops up as Chaya—Isaac’s rejected childhood sweetheart, and the road not taken. Miller is sweet as this Orthodox Jewish earth mother—a sweet character, who never rubs it in when Isaac’s mixed-faith marriage hits the rocks." -Marty Fugate, YourObserver.com
"Rebeca Miller delivers the strongest performance of all the supporting roles, as Isaac's longtime friend and sometimes girlfriend." -Marty Clear, Bradenton Herald
"The cast, under the direction of Kate Alexander, works with the right balance of comedy and seriousness... Miller is touching as Chaya, lost in an unhappy marriage..." -Kay Kipling, Sarasota Magazine
"Rebeca Miller periodically pops up as Chaya—Isaac’s rejected childhood sweetheart, and the road not taken. Miller is sweet as this Orthodox Jewish earth mother—a sweet character, who never rubs it in when Isaac’s mixed-faith marriage hits the rocks." -Marty Fugate, YourObserver.com
"Noises Off" - Repertory Theatre of St. Louis
"Rebeca Miller shines as the victim of unrequited love, Poppy who gets into a wonderful piece of business with stage manager Tim Allgood on announcing the "start of show" to the audience from backstage." -Steve Allen, Stage Door St. Louis
"Rebeca Miller gets her fair share of laughs as the beleaguered stage manager, Poppy." -Chris Gibson, BroadwayWorld.com
"Everybody contributes a bright character and goofy physical comedy to this group effort...Rebeca Miller and Kevin Sebastian as the exhausted crew. Singly, each one is a treat; together they're a comedic juggernaut." -Judith Newmark, St. Louis Post Dispatch
"Rebeca Miller as Poppy and Kevin Sebastian as Tim tug as our hearts in their frantic efforts to hold their disintegrating show together until the final curtain." -Steve Callahan, KDHS.org
"Rebeca Miller shines as the victim of unrequited love, Poppy who gets into a wonderful piece of business with stage manager Tim Allgood on announcing the "start of show" to the audience from backstage." -Steve Allen, Stage Door St. Louis
"Rebeca Miller gets her fair share of laughs as the beleaguered stage manager, Poppy." -Chris Gibson, BroadwayWorld.com
"Everybody contributes a bright character and goofy physical comedy to this group effort...Rebeca Miller and Kevin Sebastian as the exhausted crew. Singly, each one is a treat; together they're a comedic juggernaut." -Judith Newmark, St. Louis Post Dispatch
"Rebeca Miller as Poppy and Kevin Sebastian as Tim tug as our hearts in their frantic efforts to hold their disintegrating show together until the final curtain." -Steve Callahan, KDHS.org
"As You Like It" -Cincinnati Playhouse in the Park
"Among the standouts in a strong cast are the rustics: goatherd Audrey (Katherine Leigh); shepherdess Phoebe (Rebeca Miller); shepherd Silvius (Bob Braswell): and slowpoke swain William (Aram Monisoff)." --Jackie Demaline, Cincinnati.com
My Favorite Things in the 2011-2012 Theatre Season
"Le't do Best of Show straight off- Playhouse in the Park's 'As You Like It'... This season they were an unmatched ensemble who were wonderful individually. Sarah Dandridge was a multi-faceted heroine; David Graham Jones all insouciance; Bob Braswell and Rebeca Miller hilarious lovers..."--Jackie Demaline, Cincinnati.com
“The central lovers, Orlando (Alvin Keith) and Rosalind (Sarah Dandridge), are wonderfully animated and perfectly matched, but the delight of this production derives as much from colorful supporting characters…stubborn Phoebe (Rebeca Miller gives her a tenacious spirit) whom Silvius pines for…” --Rick Pender, City Beat
My Favorite Things in the 2011-2012 Theatre Season
"Le't do Best of Show straight off- Playhouse in the Park's 'As You Like It'... This season they were an unmatched ensemble who were wonderful individually. Sarah Dandridge was a multi-faceted heroine; David Graham Jones all insouciance; Bob Braswell and Rebeca Miller hilarious lovers..."--Jackie Demaline, Cincinnati.com
“The central lovers, Orlando (Alvin Keith) and Rosalind (Sarah Dandridge), are wonderfully animated and perfectly matched, but the delight of this production derives as much from colorful supporting characters…stubborn Phoebe (Rebeca Miller gives her a tenacious spirit) whom Silvius pines for…” --Rick Pender, City Beat